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"This was
from a place called The Bach Society, short for the Bach Dancing
and Dynamite Society in El Granada, which is in Half Moon Bay Township.
"Here
we have Larry Grenadier on bass, Pete Escovido on percussion,
and Eddie Marshall on drums. All of these men were on the Tres
Palabras CD. Pete Douglas started having concerts at his house
in the '60s, and this place is simply an addition to his house.
It's a great place, and it all started in his living room. People
that really want to listen go there; you don't get interrupted
by conversation there.
"Pete
Douglas would bring up L.A. players, which is where he originally
is from. He does it to get jazz going and he offers chamber music
as well. He brings in chamber players from the conservatory, plus
well-established chamber players from around the U.S. In the '70s,
and Dizzy, Bill Evans, Carmen McRae, Stan Getz all appeared there.
"Pete
Escovedo is the father of Sheila E. Pete has his own band, he
has played with a lot of people in Latin jazz. Larry Grenadier
is now one of the most in-demand bass players in New York. Eddie
plays with Bobby McFerrin, and he was on a record with Stan Getz
when he was 19. Eddie is one of the most sought-after drummers
in the world."
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"This photo
shows our first 'Club Date' show. Club Date was a PBS show coming
to viewers from San Diego.
"We had
John Heard on bass, Tom Harrell on trumpet, and Sherman Ferguson
on drums. This program aired in over 120 cities in U.S. We have
another in spring 2001 with the Young at Heart band. They put
out tablecloths, candles, and wine, and invite people into the
studio. It's a warmer feeling with the people in the studio. Paul
Marshall is the producer, he has won some awards for some science
shows he has done. They use a minimum of four cameras, and stereo
sound--it's first-class.
"I first
heard Tom in '65, while I was playing with Jon Hendricks at Stanford.
Tom sat in, and you could tell right away that he blew up a storm
with some very hip ideas. He was influenced by Freddie Hubbard.
It was amazing. He sits in, and comes ripping these real mature,
lyrical phrases that really you don't expect from a cat at 17
years old."
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"This photo
was from that same first Club Date show, and it's our rhythm section
with Charles McPherson. Paul Marshall, the producer, saw him in
the audience, and he had his horn with him. Paul asked him to join
us, and for our last tune we played After Hours. Charles and I had
worked together before that, and he lived in San Diego, so he came
down to the show. It turned out beautifully."
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